Nobodaddy's Children: Scenes from the Life of a Faun, Brand's Heath, Dark Mirrors

Nobodaddy s Children Scenes from the Life of a Faun Brand s Heath Dark Mirrors This trilogy of novels traces life in Germany from the Nazi era through the postwar years and into an apocalyptic future Scenes from the Life of a Faun recounts the dreary life of a government worker
  • Title: Nobodaddy's Children: Scenes from the Life of a Faun, Brand's Heath, Dark Mirrors
  • Author: Arno Schmidt John E. Woods
  • ISBN: 9781564780904
  • Page: 482
  • Format: Paperback
  • Nobodaddy's Children: Scenes from the Life of a Faun, Brand's Heath, Dark Mirrors
    This trilogy of novels traces life in Germany from the Nazi era through the postwar years and into an apocalyptic future Scenes from the Life of a Faun recounts the dreary life of a government worker who escapes the banality of war by researching the exploits of a deserter from the Napoleonic Wars nicknamed The Faun Brand s Heath deals with the chaos of the immediate posThis trilogy of novels traces life in Germany from the Nazi era through the postwar years and into an apocalyptic future Scenes from the Life of a Faun recounts the dreary life of a government worker who escapes the banality of war by researching the exploits of a deserter from the Napoleonic Wars nicknamed The Faun Brand s Heath deals with the chaos of the immediate postwar period as a writer joins a small community of survivors to try to forge a new life Dark Mirrors is set in a future where civilization has been virtually destroyed the narrator fears he may be the last man on earth, until the discovery of another creates new fears.All three novels are characterized by Schmidt s unique combination of sharply observed details, sarcastic asides, and wide erudition.
    Nobodaddy's Children: Scenes from the Life of a Faun, Brand's Heath, Dark Mirrors By Arno Schmidt John E. Woods,
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    About " Arno Schmidt John E. Woods "

  • Arno Schmidt John E. Woods

    Arno Schmidt, in full Arno Otto Schmidt, born January 18, 1914, Hamburg Hamm, Germany died June 3, 1979, Celle , novelist, translator, and critic, whose experimental prose established him as the preeminent Modernist of 20th century German literature With roots in both German Romanticism and Expressionism, he attempted to develop modern prose forms that correspond closely to the workings of the conscious and subconscious mind and to revitalize a literary language that he considered debased by Nazism and war.The influence of James Joyce and Sigmund Freud are apparent in both a collection of short stories, K he in Halbtrauer 1964 Country Matters , and, most especially, in Zettels Traum 1970 Bottom s Dream a three columned, than 1,300 page, photo offset typescript, centring on the mind and works of Poe It was then that Schmidt developed his theory of etyms, the morphemes of language that betray subconscious desires Two further works on the same grand scale are the novella comedy Die Schule der Atheisten 1972 School for Atheists and Abend mit Goldrand 1975 Evening Edged in Gold , a dream scape that has as its focal point Hi ronymus Bosch s Garden of Earthly Delights and that has come to be regarded as his finest and most mature work.Schmidt was a man of vast autodidactic learning and Rabelaisian humour Though complex and sometimes daunting, his works are enriched by inventive language and imbued with a profound commitment to humanity s intellectual achievements.

  • 555 Comments

  • Arno Schmidt Teutonic knight of the heath, well buried deservedly supposedly for reasons not one of us can reckon I have gathered evidence for a preliminary hearing I have little doubt that one has come too late the hangman has assuredly done his work, done his work quite well Arno has good company Let you and I step out onto the heath, grab a handful of peat or spade deeply into it dig with em if you gottem and gander into what s down there We postulate that Herr Schmidt has been unjustly unrea [...]


  • Why darkness obscurityIn all thy works laws,That none dare eat the fruit but fromThy wily serpent s jaws William Blake To Nobodaddy Why dost thou hide thyself in clouds, from every searching eye d into the eternal hunting grounds of fantasy ought to link the identity of the Flying Dutchman and Odysseus sometime with a story Wind began and the tall firs spoke deep and bellowy Dark Mirrors photos by and of Arno Schmidt


  • Arno Schmidt hit the literary ground running in post WWII West Germany with a series of novellas and this bitter trilogy moving from the war years into the post apocalyptic future Stylewise, Schmidt took the lessons of Joyce into territory all his own it wasn t enough for language to do whatever we wanted it to now syntax must follow suit Thus this reads really like nothing else, a series of fragmentary, poetic bursts of thought and observation that move across each day in jumps and lurches with [...]


  • The KIRKUS REVIEW of Faun which, unusually for them, does not irritate the hell out of me It s too bad, really, that this 1953 novella didn t arrive here before the 1980 translation of Schmidt s dauntingly dense and Joycean Evening Edged in Gold it might have made the latter s excesses and impossibilities seem a bit coherent For, as this shorter but no less literary book amply demonstrates, Schmidt 1914 1979 was a continuously outrageous imagist and a kind of stonemason of self perceptive prose [...]


  • I pulled this definition off a random website I m lazy and don t feel like going and rummaging through the bookshelves to supplement this with a Joyce reference Nobodaddy The silliest sounding of Blake s gods, Nobodaddy is a comical reduction of imaginary, abstract, paternal sky gods on the model of Zeus, Jupiter and other scary and punitive God the Fathers.First experience reading Schmidt Immensely impressed glad I have others a bit pissed that I m pretty certain I at one point bought all 4 of [...]


  • Cold Gray ice mush lay thin before every step the woods cast desolate rings around the ashpit world we gawked into each other s spotted souls Faun marks a high point of Arno s early fiction, situated in the Hitler years pre and mid war in which the central character, utterly horrified by the rabid Volk acquiescence of the times, is most consonant with Schmidt s bitter tirades against civilization More than a simple dissenter, he silently rages against both the offensive crimes of the fascist reg [...]


  • This is my first Schmidt, and I am duly impressed Here I was introduced to his most original and effective style of collated moments set apart like an annotated bibliography i.e each paragraph is reverse indented, the first line beginning in italics running the length of the page with each additional line indented at its left margin Within the first page of Scenes From the Life of a Faun, Schmidt seems to elucidate this style aesthetically My life is not a continuum not simply fractured into whi [...]


  • Italicize, italicizepull out hbis eyes italicize Arno Schmidt, the mastodon of post WW II diction I assume Heinriech Bull is around there somewhere, but nobodaddy cares about Ginricky Bowl wtihout a subscripotion to Oprah Winfrey amagazinea itsa trilogy in reversed order, configured over 100 proof schnapps Good news That s what had the sad grocerwoman smiling earlier, as we packed up my library books and she commented on my healthy, heal thy lunch of a lime and a bottle of tonic water and a sta [...]


  • Zwischenbericht Ausf hrliche Rezi mit W rdigung aller drei Teile folgt Teil II Brand s HaideSubjektiver Faktor Warum ich dieses Buch nicht magBrand s Haide ist so etwas wie Arno Schmidts Beitrag zur Tr mmerliteratur, denn hier werden die blichen Themen der unmittelbaren Nachkriegsjahre abgearbeitet, auch wenn diese Erz hlung sechs Jahre nach dem Kriegsende entstanden ist Die entscheidende Differenz ist nat rlich wieder der Arno Schmidt Faktor, das misanthropische Element, der seine B cher irgend [...]


  • I m reviewing the third of the three novels collected here, Dark Mirrors It s a post apocalyptic novel, like Cormac McCarthy s The Road But Dark Mirrors is much sharper, inventive, immediate, resourceful Reading Schmidt really shows how lugubrious, portentous, overblown, grandiose, and stentorian McCarthy is McCarthy is muddy, muddled, and misguidedly ascetic Beckett was McCarthy s model, of course, and it was not an appropriate model, because Beckett described alienation so much better Schmi [...]


  • Where was the wind exactly p 200 Generally speaking, Schmidt s language betrays a suspicion of the metaphysical implications of the assumption that words have a single origin Insofar as Schmidt s language bears a concern with its origins, it does so without the intention of legitimising its presence Is it under the auspices of such suspicion that we should read him It was in this way that I read him In consequence, history became at once the light productive of shadows, and the shadows produced [...]







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